Showing posts with label Research. Show all posts
Showing posts with label Research. Show all posts

The Book Process: Beginning to End (Traditional)


It has recently dawned on me that many of my close friends and relatives have no idea how the book process works.




Now that I'm represented by a literary agent, I get random emails and comments that go something like:

"Hey, Britney, when can I get a copy of your book?" or, "Hey, can you send me a copy of your book cover when you get the chance?" or, "It's so cool that you have an agent, when can I expect to read something of yours?" or "Oh, are you still writing? I thought you got published months ago?" Or "Are you sure you're still getting published? I don't know about you, but I'm pretty sure the process doesn't take this long. You should check in with someone, like, seriously." Or, "You're sure--like absolutely sure--that this is still happening, right?"

My response to these questions vary, and I struggle on how elaborate I should be when it comes to informing someone on how this process works.

Then I find myself getting agitated when I have to constantly repeat myself; my tongue literally triple folds into knots, and at some point, I finally realize how glamorized media has made the publishing process. In movies, writers go from drafting a book to being multi-millionaires over night.

That is not how it happens.

So today, I have decided to dedicate my morning to writing about how this whole book process works when someone has decided to take the traditional route of getting published.

This might be a long one, guys, so buckle in.

First, and foremost, a writer must have a finished book. And by finished, I mean it's been edited a gazillion times by beta readers, critique readers, and possibly many random people they may have met in a writing forum going through the same experience as said person.


When the writer feels like their manuscript is free of errors (as much as it can be), they begin doing research on literary agents who might like their manuscript and who represent their genre. (Click here for an older post on how I used to research agents. Also, click here if you're thinking, "what the heck is a literary agent?")

This can take anywhere from a couple of hours to a few weeks, depending on the writer. 

But before they can send their book to a literary agent, they must complete a query. As many writers already know, queries can take form of the devil sometimes. It's a one page summary of the manuscript condensed into 400 words or less. This query has to be concise, appealing, and close to perfect. (Perfect: an ever-changing adjective that differs from person to person--so yeah, good luck on perfecting that query, my friend.)

I'm not going to lie, though, I've developed a soft spot for queries overtime, and they're not as scary as they seem. (For more about queries and how they haunt writers' nightmares, click here.

So once they have a polished manuscript and query, they can send it out to literary agents. 

This is where rejection hits hard. Depending on the agency, some agents receive hundreds of queries a day. Many of these queries never even see the agent because they might be filtered by the agent's assistant, and most queries will receive a form rejection (for many different reasons) that goes something like: 

Dear Britney,

Thank you for your query. While your project does sound interesting, I'm afraid it's not quite right for me at this time. I genuinely appreciate your email and wish you luck finding an agent who can successfully champion your work.

All best,


Yes, this is an actual rejection that I have swiped from my inbox.





To be quite frank, many writers fall under the weight of rejection, and they lose sight of why they began writing in the first place. Some writers stop writing all together, or they choose a different route of getting published.

But, some writers actually hear back from an agent, and if a literary agent is impressed and confident in their work, they will offer to represent them in this crazy world of writing. (For more on how I found my agent, click here and here.)

And yet, that's still not the end of it.

After contacts have been signed, the agent and writer work hard together to shape the manuscript into greatness by going through more rounds of edits. These edits will vary depending on the agent and what condition the manuscript is in. Some will ask to re-work a few chapters; some might ask for a synopsis if one isn't written yet. This process can take a few weeks or a few months.

Once the manuscript has gone through more edits, the literary agent will begin to submit to editors in publishing houses. (You've probably heard of Random House, Penguin, or Simon & Schuster, to name a few.)

Hearing back from editors can take a long time because, just like literary agents, they are getting multiple submissions in their inbox on the daily. They are also looking for specific works that they feel confident in and that they believe will make a hit in the market.

This can be a doozy for many writers because they'll probably find themselves refreshing their inbox on multiple occasions, hoping they've heard back from their literary agent with good news.



And when the time finally comes, the writer will be get a phone call from their agent stating that some editor wants to publish them! (This is, of course, after the agent has negotiated the author's work.) Soon, another contract is signed, and there is it, they have officially began a whole new process.

Even after a writer has signed a book deal with a publishing house, it could still take up to two years before they ever see their book in print form! *gasp*

With an editor, a writer goes through a few more rounds of revisions (and then that version of the  book gets edited by many other people in the publishing world) before a final draft is created.

I promise, though, this process grows to be a great one because while all this insanity is happening, many people are making sure the book looks phenomenal across multiple formats, and there's a whole team of people who are working on how to market the book and tailor it to whom they think might be the perfect audience for it. All the while, there's another group of people reading the book and creating a stellar cover for it.

Finally, the book is complete; the book release date has come; and the author finally gets to hold their book in print form.




And this, friends, family, who ever has made it this far into the post, is why I still do not have a book in print form to give you.

I promise, something is happening.
It just takes time. A lot of it, to be exact.

I hope this answers your questions on how the book process works; this whole publishing thing is a bit bonkers.

Still have more questions? Leave a comment below.
Like these posts? Share them in your writing community; it helps me know that I should make more.

Till next time!


Three Reasons Why You Shouldn't Stop Reading




While in the writing process, I find it hard to finish--or even pick up--a book. (I have this fear of accidentally imitating someone else's work.)

That's the last thing I want to do. No one deserves to be plagiarized.

But at the same time, one of the best ways to improve your writing skill is to read.

Note the difference: Reading is observing, and you gain so much knowledge in the process.

My goal for today's post is to give you THREE reasons why you shouldn't stop reading while you're working on your manuscript.





1.  INSIGHT: If you're into writing YA novels like I am, the first noticeable difference is the voice of the  main character. Unlike other genres, young adults are on two extreme scales: completely mainstream or not mainstream at all (i.e hipsters, trendsetters, ect.) And if you've grown past your young adult years, there's a slight chance that you've already forgotten what that "version" of yourself sounds like. Even I, in my early, early, twenties, forget what I sound like. This is where the reading process comes in. Honestly, reading anything that's been published in the last six years is still quiet relevant to that YA group today. It's important to take note on today's slang and phrases because there are some words that aren't used anymore. Like: "All that and a bag of chips" and "Talk to the hand" are overused phases that were relevant in the 20th century, not so much in the 21st.

2. VISION: Where do you get your story ideas? I get mine from songs, dreams, reality, and books! I noticed that certain scenes in books have the power to spark an entire manuscript. Getting insight from many different books helps with the story-flowing process. Sometimes it's a never-ending stream of words, and sometimes it's just a simple idea. Eiter way, it's something. So pick up an intriguing book that really gets the juices flowing.

3. ACTION: I've noticed that whenever I pick up a good book, I get so motivated to finish my own book that I never get a chance to finish the page I'm on. Truth: reading a bestseller sparks motivation! I'm living proof of that, and so are the many books scattered across my desk with dog ears in them. Even self-help books get me excited to finish my own. I always get that sense of urgency: Who knows, I could be writing that next top-charter?!?! 
I'm telling you, reading books guarentee's a bestseller . . . . . ha, totally kidding.


But don't knock the reading process. Without it, you may gain less insight, lack a clear vision, and become unmotivated.

Books are the trendsetters, so challenge yourself to be just that.



Till Next Time Blog World!

Querying Suzie Townsend

At this point in the writing stage, I've had my fair share of querying many agents, including Suzie Townsend.


What makes Suzie Awesome?



(Photo Credit: http://newleafliterary.com/agents)
Suzie Townsend is an agent at New Leaf Literary. You may know her as the agent that helped make Cora Carmack's dream of hitting the New York Times bestseller list a reality with the book, Losing It. Or, you may know her through her Coworker, Joanna Volpe, who grabbed Veronica Roth, writer of the Divergent series.

According to Publisher's Market, she represents adult and children's fiction. She is looking to build her client list--which is awesome for all you unagented writers--and she likes women's fiction, romance, fantasy, crime, all things YA, and I believe she's looking for the next bestselling middle grade project. 

Have you queried Suzie Townsend? How did it work out?

I have, indeed. In 2013, I queried her with my first manuscript, The Collectors, and earlier this year I queried her with my latest novel (but the unpolished version :/ ) The Willow Tree. 
And, unfortunately, it did not work out for me. But that's okay! The point of this post is to shed light on this awesome agent, and maybe . . . just maybe the cards will be in your favor? (wink, wink.)

What was the response time?

The response time was incredibly fast. First off, as soon as you submit, you receive an email letting you know that your query has been submitted. And within the next two weeks, I was sent a form rejection letting me know that my project wasn't the one for her. This happened on both occasions. 

Would you ever query her again?

That depends. I don't think I'm writing anything that fits what she's looking for--besides YA. Plus, I don't want to waste her time, nor do I want to waste my time. However, if I were writing something she was interested in, I would definitely re-query her. Especially if I'm looking for a speedy reply. 

How can I query Suzie Townsend?

You can query Suzie by sending the first five pages of your COMPLETED AND POLISHED manuscript and your finished query to query (at) newleafliterary (dot) com. Make sure to put Query in the subject line, while also adding the agent's name: Query: Suzie Townsend.

Bonus:

Before querying, I would definitely check out Suzie's blog, Confessions. There's so much useful information about her, the agency, and her coworkers. You know, the best way to an agent's heart is through their blogs! 

Ha, Till next time bog world. 

Good luck and Happy Query Days. 

Essential to Writing an Awesome Manuscript: Research




As many of you know, I am writing a new book. 

Oh, the joys of starting over again........ha ha

But as many writers already know, writing a book envolves a lot of research!  Yeah, so if you thought your research days were far behind you, or you assumed that research was only useful for school papers, then you thought wrong.

The thing is, when we write books, we have all these amazing ideas in our heads, but in order to make those ideas excellent, we must research them. How embarrassing would it be if you described the Eiffel Tower like the St. Louis Arch? (That's a stretched scenario, but seriously, something like that could indeed happen.)

I like to think that I know everything, but I'm brave enough to proudly say that I don't. In my new book, the scenes take place in Kansas City, Ks, and Kansas City, Missouri. Though I live in Kansas City, KS, and am very familiar with Kansas City, MO, I don't know everything--but with the power of Google, I do!

Don't think of research as an awful event. It should be fun. I mean, this is your book, make it as worthwhile as possible.

So, I'll give you a little insight on my latest novel.


But not that much insight, ha, things could change drastically.

Anywho, my new novel will be a series of three books--hopefully--if all goes as planned.
And each book will be an allegory! (Yay to allegory's)
As always, there will be a protagonist, and an antagonist (a few of those actually)
But I have a lot of research to do because some of my characters are from like the 5th and 6th century...and I don't know much about those time periods.
AND, for fun, I am placing hidden symbols (more or less) throughout the entire novel.
Basically, I'm just really stoked about this one y'all.

That's all for today's post! Happy Writing Days, my friends!


The Book Process: Rejections From Publishing Houses

What does rejection feel like while on submission? It's completing a 5k in record time and then realizing that you've only ju...